Symphony no. 1
Subtitled ‘The Old Abandoned Fort’, this chamber symphony was inspired by the Civil War era Fort Union in Watrous, NM. Three movements contemplate the eery ruins once known as a thriving point of commerce and military power due west along the Santa Fe Trail.
I. Con moto
…a garrison was stationed here,
full of industry and commotion…
II. Tranquillo
…an adobe fortress isolated on a vast prairie…
III. Maestoso
…in the silence, echoes of the outpost remain…
Instrumentation
2 Flutes (#2 doubles piccolo)
2 Oboes
2 B-Flat Clarinets
2 Bassoons
2 Horns in F
2 Trumpets in C
2 Trombones
Tuba
Timpani
Percussion (1 player)
Glockenspiel, Chimes, Snare Drum, Bass Drum
Strings
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Concerto no. 1 for Organ and Strings
Concerto in three movements for organ and strings. Composed in 2011. Inspired by the poetry of St. John Perse. This work is a reimagining of Fantasies nos. 2-4 for organ solo.
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Concerto No. 2 for Organ and Strings
Concerto in three movements for organ and strings. Inspired by the writings of 20th century architects including Mies van der Rohe, Le Corbusier, and Frank Lloyd Wright.
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4 Panels in a Gallery
“One day, I visited an art gallery to pass the time. Yes, there were paintings of barns and soldiers and bowls of fruit. Yes, there were stuffy portraits and lavish murals and fussy assembled things. In one room, the light was more dim. A single bench sat in the center and on each of the four encompassing walls, there was a single large oblong piece. I don’t remember the artist’s name, couldn’t possibly have been Barnett Newman…
The panels are described in this way:
1 – A melancholy indigo, with an orange nasturtium
2 – A ensanguined scarlet fading to a blushy rose
3 – White lilies in a baroque golden frame
4 – Charcoal, with a sprig of yellow daisies
Through my eyes, I fell into each mass of color. My heart sang for their music and my soul was set adrift…“
Instrumentation
Violin
Viola
Cello
Piano
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Spaces of Night
If I should cast off this tattered coat,
And go free into the mighty sky;
If I should find nothing there
But a vast blue,
Echoless, ignorant –
What then?
This questioning verse by American writer Stephen Crane (1871-1900) anchors the 18-minutes long Spaces of Night, a song cycle for mezzo-soprano, strings, and organ. Commissioned by the Albuquerque, New Mexico chapter of the American Guild of Organists, Spaces of Night received its world premiere March 17, 2012, in Keller Hall on the University of New Mexico campus in Albuquerque.
Instrumentation
Mezzo-Soprano solo
Organ
Strings
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Ghost Canyon String Quartet
Three movements, circa eight minutes in duration. Inspired by poetry of John Gould Fletcher. Commissioned by Alison Schuler in memory of her parents, Col. Richard and Mrs. Irma Schuler.
I Lento:
a dry desert heat,
a traveler chances upon an undiscovered canyon,
a play of sandstone and sage,
light and shadow,
there are glyphs on the walls,
and bleached bones in a wind hollowed nicho.
II Tranquillo:
a pool of water,
in a shallow wind hollowed basin,
clear, turquoise blue,
a few drops of water from somewhere above,
rain, or the remnants of a spring.
III Animato:
the wind is here,
not steady and driving,
but unpredictable and playful,
dusk, the heat retires,
puffy white clouds dance in front of the sun,
and a ghostly frolic of light chases through the canyon.
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San Miguel Chapel
Music for organ and strings. A concerto in one movement inspired by the story of St. Michael and the adobe church in Santa Fe, NM.
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Quarai Chapel
Inspired by the church ruin at El Misión Nuestra Señora de la Purísima Concepción de Cuarac (Quaraí) in the Salinas Pueblo Monuments in Northern New Mexico. This meditative piece was inspired by the painstaking building processes of Quaraí’s monumental architecture, its synchronicity of faith and cultures, and its creators’ aspiration to birth an inhabitable domain that could not be attained.